One Breath at a Time · Han Seo-yun
Chapter 6: Wash Your Bowl: Calm in Everyday Chores
Standing at the Sink
Lina is thirty-one and shares a small flat with a friend. Every evening after dinner, there is a pile of dishes in the sink, and every evening Lina dreads it. She puts on a podcast, rolls up her sleeves and attacks the pile as quickly as she can, thinking the whole time about what she will do when she is finished: a series she is watching, a message she needs to send, a book on her bedside table.
Tonight, she breaks a glass. It slips from her hands while she is reaching for the next plate, still thinking about the series, and shatters in the sink. She cuts her finger slightly picking up the pieces. Standing there with her finger under the cold tap, she feels a wave of frustration that seems far too large for one broken glass. "I hate this," she says aloud to the empty kitchen. "Every single day, the same stupid dishes."
Then, for some reason, she laughs at herself. Every single day, she spends perhaps twenty minutes at this sink. That is more than two hours a week, more than a hundred hours a year. And she spends every one of those minutes wishing she were somewhere else. She has a sudden, slightly dizzying thought: how much of her life is spent like this, waiting for the boring part to be over so that her real life can begin?
Lina's question is one that Zen has taken very seriously. Some of its most famous teachings are not about grand experiences on a mountaintop but about washing bowls, carrying water and sweeping floors. This chapter explores those teachings and what they might offer to anyone who has stood at a sink, wishing to be somewhere else.
"Have You Eaten Your Rice Gruel?"
In the Gateless Gate, the collection of Zen stories we met in the fourth chapter, there is a case that is only a few lines long. It is case seven, and it concerns the Chan teacher Zhaozhou, who lived in China in the eighth and ninth centuries and was famous for his short, simple answers.
In my own retelling: A monk came to Zhaozhou and said, "I have just entered this monastery. Please, teacher, give me some instruction." Zhaozhou asked him, "Have you eaten your rice gruel?" The monk said, "Yes, I have eaten." Zhaozhou said, "Then go and wash your bowl." In the traditional telling, the monk gained some insight at that moment.
What kind of instruction is this? The monk was hoping for something profound, perhaps a deep teaching about the nature of the mind or the meaning of life. Instead, Zhaozhou pointed him to the most ordinary next step: you have eaten, so wash your bowl. Many teachers have commented on this case over the centuries, and they have found many layers in it. But one simple message stands out. The teaching you are looking for is not somewhere else. It is right here, in the next ordinary thing that needs doing.
There is gentle humour in the story, too. The new monk arrives full of eagerness for wisdom, and the teacher, in effect, tells him to tidy up after breakfast. Many of us are like that monk. We look for meaning in big experiences, special places and important moments, and overlook the bowl in front of us. Zhaozhou's answer brings the search back down to earth, to the sink.
It is worth noticing what Zhaozhou did not say. He did not say, "Wash your bowl quickly, so you can get to the important teachings." He did not say, "Washing bowls is a test of your patience." He simply said, "Wash your bowl." The washing is not a step toward something else. It is the instruction itself.
Carrying Water, Carrying Firewood
A similar spirit appears in a verse traditionally attributed to Layman Pang, an eighth-century Chinese lay follower of Zen. Pang was not a monk. He lived with his family, and the tradition remembers his wife, son and daughter as people of deep insight too. Several short verses and dialogues are attributed to him, and they are loved for their plain, practical wisdom.
In one of these verses, as I paraphrase it, Pang says that his daily activities are nothing special; he simply lives in harmony with them, neither grasping nor rejecting anything. And he ends with a line that has become famous: if you ask what supernatural powers and wonderful works are, they are drawing water and carrying firewood.
To appreciate this, it helps to remember that, in Pang's time, drawing water from a well and carrying firewood were heavy, daily, unavoidable chores. They were the dishes and laundry of his world. And yet he called them supernatural powers and wonderful works. He was not being sarcastic. He was pointing to something he had discovered: that when ordinary activities are done with full presence, they are not dull at all. They are the miracle of being alive, happening in plain sight.
Pang's verse also says something about harmony. He does not describe a struggle with his chores or a heroic effort to find them meaningful. He describes a simple way of being with them, in which nothing is grasped and nothing is pushed away. Water is drawn because water is needed. Firewood is carried because the fire needs it. There is no story added on top, no complaint and no special pride. This is a picture of a life that is not divided against itself, where the person and the task move together.
You may have seen a popular saying, often presented as an old Zen proverb, about chopping wood and carrying water before and after enlightenment. Its exact origin is uncertain, and it is better not to treat it as a quotation from any particular teacher. But it seems to echo the spirit of Layman Pang's verse, which is genuinely old. In both, the message is the same: the place of practice is not some special realm. It is the ordinary tasks of daily life.
Work as Practice
In Zen monasteries, physical work has always had an important place. Monks and nuns cook, clean, garden, repair buildings and care for the grounds. This work is not seen as a break from practice but as part of it. In Japanese, it is called samu, which can be translated as "work practice".
Tradition tells a story about the Chan teacher Baizhang, who lived in the eighth and ninth centuries and is remembered as the author of early rules for Chan monastic life. Even in old age, he insisted on working in the fields with the younger monks. Worried about his health, the monks hid his tools. Baizhang then refused to eat. When the monks asked why, he is said to have replied, "A day without work is a day without food." The monks returned his tools.
Baizhang's saying is sometimes misunderstood as a stern rule that only workers deserve to eat. But in the context of monastic life, it expresses something different: the conviction that work is part of the whole of practice, and that a life of practice is not complete without it. Working with the hands, sweeping, cooking, carrying, with full attention, was for him a way of living the teaching, not a distraction from it.
During samu, monks often work in silence, giving their full attention to the task. They sweep paths, rake leaves, scrub floors and polish wood with care, not because a clean floor is the only goal, but because the attention itself is the practice. A visitor watching monks at samu might notice that they do not rush, but they do not dawdle either. They work steadily, completely, as the old cook did in the sun.
Visitors to Zen monasteries are sometimes surprised to find that cleaning is done even when things already look clean. The floors are wiped every day, the paths are swept every morning, whether there are leaves on them or not. This can seem pointless from the outside. But it shows clearly that the cleaning is not only about removing dirt. It is a daily act of care and attention, a way of beginning the day with the whole body and mind present. In a similar way, a person at home who wipes the kitchen table each evening with care is not only cleaning a table, but also closing the day with a small act of order.
Life After the Chore
Lina's realization at the sink points to a trap that most of us fall into. We divide our lives into the parts that count and the parts that do not. The parts that count are the interesting, pleasurable or important ones: time with friends, a good book, meaningful work, a holiday. The parts that do not count are the chores, the waiting, the commuting, the routine. We rush through the second kind in order to get to the first.
The trouble is that the parts that "do not count" make up a large share of our lives. Washing up, cooking, cleaning, laundry, shopping, tidying, travelling to and from work: added together, these take many hours every week. If we spend all of those hours wishing to be elsewhere, we are, in a very real sense, absent from a large part of our own lives.
Zen does not ask us to love every chore. It asks us to notice that this moment, at the sink, is as much our life as any other. The water is warm. The plates have colours and weights. The window above the sink shows a bit of sky. Our hands are moving. We are breathing. When we arrive in the chore instead of rushing through it, we often find that it is not as dull as we thought. And even if it is dull, it is ours.
There is also a practical benefit. When we rush through chores with our minds elsewhere, we tend to be clumsy, as Lina was with the glass. We break things, forget things and do things badly enough that they need doing again. When we give a chore our full attention, it often goes more smoothly, and sometimes more quickly, than when we fight it.
Some people find it helpful to change the words they use about chores. Instead of saying "I have to do the dishes," they might say "I am going to wash the bowls we ate from." Instead of "I must clean the bathroom," they might say "I am going to make the bathroom fresh for tomorrow." This is not a trick to make chores fun. It simply turns attention toward what the task actually is, and away from the heavy feeling of obligation that surrounds it.
How Attention Changes a Task
It is interesting to see what actually changes when we bring attention to an ordinary task. The task itself does not change. The dishes are still dirty, the floor still needs sweeping. What changes is our experience of it.
When we pay close attention, we begin to notice details we normally miss: the shine of a clean plate, the sound of water running, the rhythm of a broom on the floor, the smell of soap, the feeling of warm cloth in our hands. These details are not dramatic, but they are real, and noticing them can bring a quiet kind of pleasure.
We also notice our own resistance more clearly. We feel the urge to hurry, the boredom, the wish to be elsewhere. In Zen practice, we do not fight this resistance. We notice it, as we notice thoughts during sitting, and return to the task. Often, the resistance softens on its own once it is noticed, like a child who calms down once someone has acknowledged that they are upset.
Attention also brings care. When we are present with a task, we tend to do it more carefully, not out of perfectionism, but out of a kind of respect for the things we are handling and for the people who will use them. The old cook in the previous chapter handled food as if it were precious. A person washing a bowl with attention handles it gently, as something that will hold someone's meal tomorrow.
It is important to say that this kind of attention is not the same as perfectionism. Perfectionism is driven by fear of mistakes and harsh judgment. Zen attention is relaxed and accepting. If a plate is not perfectly clean, you notice it and wash it again. If you break a glass, you notice, clean it up carefully and continue. There is no need for punishment, only presence.
Three Lives, Three Chores
Gerhard is seventy-four. His wife always did the cooking and most of the household work, and when she died last year, he found himself completely lost in the kitchen. At first, every chore felt like a reminder of his loss and his helplessness. A neighbour, who had read a little about Zen, suggested he try doing one chore each day very slowly, giving it his full attention. Gerhard started with making tea, then with washing his cup, then with cooking simple meals. He found that, when he was completely present with the task, his grief was still there but it was gentler, and he sometimes felt close to his wife in the very work she used to do. Over months, the kitchen slowly became a place of quiet rather than of pain.
Nkosi is thirty-five and works as a cleaner in a large hospital. His work is physical, repetitive and often unnoticed by the people around him. For years, he got through each shift by thinking about anything other than his work. Then, during a hard time in his life, he started practising meditation, and he began to try bringing the same attention to his cleaning. He noticed the shine on the floors he had just mopped, the relief on a patient's face when their room was fresh, the importance of clean surfaces in keeping people safe from infection. His work did not become easy. But he began to feel its value, and to feel present in it, rather than absent from his own days.
Sara is forty and has two young children. Weekend chores used to be a battle: she nagged, they complained and everyone ended up cross. She decides to try something different. One Saturday, she turns the chores into a quiet game. Everyone chooses one job, and for ten minutes they do it in silence, noticing every detail, before sharing one thing they noticed. Her daughter notices that the clean windows make the room brighter. Her son notices that folded towels are soft. It does not work every weekend, but sometimes the house becomes surprisingly calm, and the chores get done.
Lina, from the beginning of this chapter, decides to try washing the dishes without the podcast once a week. The first time, she is bored and restless. The second time, she notices the warm water and the sound of the plates. By the fourth week, she finds that those twenty minutes have become oddly peaceful, a short space between the day and the evening when her mind slows down. She does not wash dishes this way every night. But she no longer feels that every chore is a waste of her life.
Chores and Fairness
There is one more thing that needs to be said, because it matters a great deal. The Zen teaching about chores is about attention and presence. It is not a reason to accept an unfair share of work.
In many households, chores are not shared fairly. One person, often a woman, an older child or someone who earns less, ends up doing much more than others, sometimes on top of paid work. If you are in this situation, finding peace in the dishes may help you feel better in the moment, but it should not stop you from asking for a fairer share. Calm attention and honest conversation about fairness can go together. In fact, a calmer mind may make such a conversation easier.
Zhaozhou told the monk to wash his own bowl, not everyone else's. In a household or a workplace, part of the practice of chores can be to notice who does what, to do our own share with attention and to make sure that others are not quietly carrying more than their share. Sweeping a floor with full attention is beautiful. Sweeping it alone every day while others watch is a different matter.
Children can also learn from this. When children are given small chores of their own, such as setting the table, feeding a pet or watering plants, and are shown how to do them with care, they learn both responsibility and a kind of quiet attention. Many families in many places have passed on this kind of learning for generations, often without calling it anything special. A child who learns to wash their own bowl carefully has received one of Zhaozhou's teachings without hearing his name.
Practical Steps
First, choose one daily chore as your practice. Pick one regular task, such as washing up, cooking, sweeping or folding laundry, and decide that, at least sometimes, you will do it with full attention.
Second, remove distractions for that chore. Turn off the radio, podcast or television, and put your phone away while you do it. Let the chore be the only thing happening.
Third, use your senses. Notice the temperature of the water, the textures, the sounds, the smells and the movements of your hands. Let these details be your anchor, as the breath is in sitting.
Fourth, notice resistance without fighting it. When you feel bored or impatient, notice the feeling, name it silently and return to the task.
Fifth, finish completely. When you finish a chore, take a moment to look at the result, to put things away and to wipe the surface clean. Then move on, without carrying the chore with you.
Sixth, share fairly. Look honestly at how chores are divided in your home or workplace. Do your own share with attention, and if the division is unfair, talk about it calmly.
A Short Practice: Washing One Bowl
This practice takes only a few minutes. It is inspired by Zhaozhou's instruction, and it can be done after any meal.
After you have eaten, take your bowl, plate or cup to the sink. Before you begin, pause and take one breath. Look at the bowl. Notice its shape, its colour and what remains of the meal it held.
Turn on the water and feel its temperature with your hand. Wet the bowl, add a little soap and begin to wash it slowly. Feel the curve of the bowl under your fingers, the smoothness of its surface and the slight resistance of any food that clings to it. Listen to the sound of the water. Notice the smell of the soap.
When your mind wanders, as it probably will, to what you will do next, to something that happened earlier or to a judgment such as "This is silly", simply notice and return to the bowl. Remember Zhaozhou: you have eaten, now wash your bowl. Nothing else is required.
Rinse the bowl and watch the water run off it. Dry it, if you like, and put it away. Before you move on, take one more breath and notice how you feel.
Try this once a day for a week. You do not need to wash all your dishes this way. One bowl is enough. Many people find that this tiny practice changes how they feel about the rest of the washing up, and sometimes about the rest of their chores as well.
Questions People Often Ask
"Is it really possible to enjoy chores?" Not always, and Zen does not require you to. Some chores are tiring, dirty or simply unpleasant. But many people find that when they bring full attention to a chore, even a disliked one, it becomes less of a burden and occasionally even pleasant. More importantly, they stop feeling that those hours are wasted. They are part of life, lived rather than escaped.
"Does doing chores slowly mean taking much longer?" Not necessarily. The practice is about attention, not slowness for its own sake. At first, you may slow down a little to notice what you are doing. With time, many people find that attentive work becomes smooth and efficient, with fewer mistakes and less need to redo things. Monks at work are rarely slow. They are steady.
"What if I live alone and the chores make me feel lonely?" This is a real feeling for many people, especially after a loss, as Gerhard discovered. Bringing gentle attention to chores can sometimes soften that loneliness, by making the task feel less like an empty gap and more like a moment of care for yourself and your home. It can also help to share some chores with others now and then, such as cooking with a friend or joining a community garden. If loneliness feels heavy and lasting, talking with someone you trust or a qualified professional can help.
"I have very little time. How can I make chores into practice when I am rushing?" You do not have to make every chore into practice. Choose one small moment each day, perhaps the first cup you wash in the morning or the last surface you wipe at night, and give that moment your full attention. Even thirty seconds of real presence is a practice. Over time, those small moments can spread, but they do not have to. A single bowl, washed with attention, is enough.
Chapter Summary
Many of us rush through chores in order to get to the parts of life that seem to count, and so we are absent from a large part of our own lives. In the Gateless Gate, case seven, Zhaozhou answers a new monk's request for instruction by asking whether he has eaten and telling him to wash his bowl. The teaching is in the next ordinary task.
Layman Pang's verse calls drawing water and carrying firewood supernatural powers and wonderful works. Zen monasteries treat physical work as practice, called samu, and Baizhang is remembered for saying that a day without work is a day without food. Bringing attention to chores changes our experience of them, bringing detail, care and calm, though it is not the same as perfectionism, and it is not a reason to accept an unfair share of work.
In the next chapter, we look at an attitude that makes every task, and every moment, fresher: the open, curious attitude that Zen calls beginner's mind.